Ex. 17.six Tempus est, mm. 14-27: Benedicite Deum, et enarrate omnia mirabilia eius

Ex. 17.six Tempus est, mm. 14-27: Benedicite Deum, et enarrate omnia mirabilia eius

A setting throughout the Lamentations off Jeremiah getting Maundy Thursday Holy Few days try attributed to Frescobaldi in the Bologna manuscript Q 43, an enthusiastic anthology most likely put together during the Rome towards middle of your 17th 100 years (the fresh report could have been defined as Roman, shortly after 1650)

Note: + = forgotten part; LU = Liber Usualis. The fresh new motets try designated with respect to the list of one’s basso continuo region-bookpare this new liturgical assignments and you can provide given for the Roche 1986, where schedules derive from the fresh specialized papal detection off cultus. ____________________________________________________________

Regrettably, the Altus area-book of one’s Liber secundus, that also consists of bits for Cantus II, are forgotten regarding merely understood number of area-courses toward range, to ensure simply 14 of one’s thirty-two concertos is also from the transcribed within their totality (a 15th was recoverable regarding various other origin). Rather than this new choices of Frescobaldi’s contemporaries on St. Peter’s, the fresh Liber secundus will not seem to have become chosen otherwise created with the any precise liturgical standards (pick Desk 17.1). Along with messages for some specific liturgical circumstances, the brand new settings of one’s range give motets to possess feasts of our Lord, this new Virgin Mary, the fresh new Sacred Cardio, the Ascension, martyrs, and male or female saints, particular with alleluias to possess Eastertide. On Vatican manuscript Chigi Q. VIII. 205-206 Frescobaldi copied three excerpts off Virgilio Mazzocchi’s 1640 Sacri flores for a couple of-4 voices and continuo: �Nel motetto Veni sponsa Christi del Mazzocchio Alleluia,� �Nel motetto Sacerdotes Dei del Mazzocchi,� and you may �Omnes sancti.�

An assessment of the Liber secundus into the paradigm of the short sacred concerto, Viadana’s Cento concerti ecclesiastici of 1602, implies that Frescobaldi gained his texts off a bigger, reduced purely liturgical system out-of source; in many cases it’s impossible to ascertain the exact appeal (if any) ones really works.

Four of motets is scored to have solamente sound (canto otherwise tenor) and you will continuo, eight for a few voices of various range, and you will six getting five voices (always CATB); talking about far outnumbered by fourteen configurations for 2 sounds regarding varying range and you will continuo. (Regrettably, new motets to own CC/bc are unfinished because the C2 was written in brand new Altus partbook.) New motets to have unicamente sound essentially reveal a comparatively quick decorative vocal line deployed over a slow-swinging bass and frequently involved in syncopation facing it. For every single solo setting include a short area during the triple meter. of one’s motets consist of triple parts: O3/1, 3/step 1, 3/dos,O3/2, all of the three whole notes into the size, and you may C3/2, around three halves, mostly prompted because of the particular facet of the text message, age. grams., �bless God and you will state most of the his marvelous work�:

Frescobaldi’s function was an effective dignified and you will expressive account of its swinging text message as well as the very least partly refutes Liberati’s blanket condemnation of Frescobaldi because the good sacred singing composer

Despite Liberati’s strictures, Girolamo really does attempt to represent the newest areas of the words, just like the witness the latest suspensions to your �tristitia� (�sorrow�) or perhaps the melisma toward �et celle-ci consoletur� (�who can console�) inside the �Aspice Domine,� together with obtrusive G towards �Sol� into the �Ipsi contribution desponsata.�

Where the motets tend to be a singing trout, like luxy dating many of the basses in the Frescobaldi’s important canzonas it is described as a comparatively retrogressive treatment. The lower voice is not a separate range however, a decoration-either highly ornamented-of one’s continuo bass (or even the continuo is actually a decrease in a reduced vocal line). In the tripla sections you to definitely are present along with within these works the fresh two contours try quite similar.

The fresh new range constitutes functions by Carissimi, �We. C.�, Carlo [Caprioli] del Violino, Carlo Rainaldi, G. F. Marcorelli, and you may �Meters.Meters.� (?Marco Marazzoli)-Roman maestri di cappella of 1630s.

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